Lebanon
Lives and works in New York
Born in Beirut, Mohamad Kanaan lives and works in New York.
In Kanaan’s practice, art is an extension of architecture. Architects insert series of objects into a certain context to which they adapt as they alter its composition. There is give and take. Concerns surrounding scale, anatomy, identity, anxiety, and loss traverse his work. Through text and functional sculpture in particular, he plays with these themes in an autobiographical frame.
Chairs evoke the concept of the household in Kanaan’s work, tying them to memory and domesticity. They are also one of the first physical symbols of the subconscious that a child can create. Each piece joins physicality and psychology: the chair itself, the human body that engages it by sitting, and an individual’s memories of that encounter combine to create an interactive and performative object.
Kanaan’s work consists of little feelings, compartmentalized affects, and repressed emotions. Poetics guide his approach to furniture and architectural forms; maintaining a romantic and tragic anticipation of the bodies that will interact with the work. There is always translation, expression, implication, or repression. His text work and poetry address syntax and love, exploring how spatial relationships affect them.
Kanaan has worked in art direction, production, interior design, and furniture design, as an apprentice to renowned artist-designer Sebastian Errazuriz. He holds a B.A. in architecture from the American University of Beirut and an M.F.A. from the School of the Art Institute of Chicago.
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October – November 2017