James Capper

– Casa Wabi 2017

Community Project

Mejoramiento técnico al diseño de las trampas de jaiba – Fundación Casa Wabi
The project of the artist James Capper consisted in supporting the women fish workers with new designs of traps to facilitate the fishing. To achieve this, a meeting was held with the women fish workers of the Zapotalito in its restaurant called “la Flor del manglar”, there they talked with the women, they observed the existing traps that are of two forms: cylindrical and rectangular, the women explained how they use the traps to fish crabs in the bottom of the lagoon called “La Pastoría,” which is part of the lagoon system “Lagunas de Chacahua.”
Later, James realized a series of drawings alluding to the traps and the fishing gear measures; he collaborated with an artisan also called “balconero” so that he would elaborate 20 traps, 10 of cylindrical form, and 10 in rectangular form. Fortunately, women had several meters of a special mesh in which the traps of metal structure are lined up, which permitted the object to be finished so that they could be used to catch the seafood. This project also helped in a social part, women only had 2 traps, and now they will have 20 more.

Log-Piece

  • Trampa para Jaiba (2017) Herrería 45 x 45 x 27 cm

Trampa para Jaiba (2017)
Herrería
45 x 45 x 27 cm

England

Lives and works in London, UK

Born in 1987, London, UK
Lives and works in London, UK
James Capper makes mobile sculpture to be used in action in a wide range of materials or terrains. His works are sculpture, and sculptural tools in – or ready for -action. Drawing is an important part of his practice and he makes large numbers of drawings of all kinds – from concept drawings (defining, developing and outlining new ideas and concepts for sculpture), technical drawings (line or filled-in drawings used to work out how the sculpture moves) to presentation drawings (spectacular, often large-scale, coloured drawings showing the sculpture in its complete form) and in-action drawings (complex drawings showing the sculpture in movement across space and time). In this way, for every realised sculpture there are a large number of drawings accumulated from conception to completion, as well as drawings made after the sculpture is finished; it characteristic of James to draw his sculptures well beyond the fabrication period and even to return to specific sculptures through drawings years after they are made.
James Capper’s way of making mobile sculpture consists of three distinct but interrelated processes – drawing, making sculpture and the capacities and application of the sculpture in action understood and developed through testing, filming and subsequent demonstrations. His art adopts the techniques, materials and complex problem-solving processes of innovation and engineering to develop the possibilities of sculpture.
SELECTED EXHIBITIONS:
JAMES CAPPER, Bathurst Regional Art Gallery, New South Wales, Australia (solo) (forthcoming) James Capper with Katzki, Broken Hill Residency, New South Wales, Australia (forthcoming) INHABITED BY OBJECTS, A dialogue with the house of Jean Prouve, CAB Art Centre, Brussels, Belgium (forthcoming) JAMES CAPPER DRAWINGS, Broken Hill Regional Arts Centre, New South Wales, Australia (solo) (forthcoming) Holiday Home, ALMA ZEVI, Celerina, Switzerland (forthcoming) James Capper, Casa Wabi Artist Residency, Oaxaca, Mexico (forthcoming) Contemporary Sculpture Fulmer, Berkshire, UK WAYS TO MAKE MOBILE SCULPTURE, Albion Barn, Oxford (solo) (publication) SCULPTURE IN PUBLIC, WBG London Project, Woodwork Studios, London Drawing Biennial 2017, Drawing Room, London James Capper SCULPTURE & HYDRAULICS, The Edge Institute of Contemporary Interdisciplinary Arts, University of Bath, Bath (solo)
Faith & Fathom, Galleria Poggiali, Florence, Italy JAMES CAPPER, RACHEL CROWTHER, TENANT OF CULTURE, ABIGAIL FLETCHER-DRYE, SEAN LAVELLE, ALICIA REYES McNAMARA, LINDSEY MENDICK, MATILDA MOORS, LUCIA QUEVEDO, ALICIA TSIGARIDES, clearview, London MOUNTAINEER, Wassaic Artist Residency, Amenia, Dutchess County, New York Sculptor’s Drawings, Alma Zevi, Venice EARTH MARKING EXPEDITION– Mobile Sculpture, Component Parts, Hannah Barry Gallery, London (solo)
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August – September 2017
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