Emiliano Massimini

– Casa Wabi 2016

Community Project

Taller introducción a lo abstracto a través del movimiento – Centro de estudios de Bachillerato “Emiliano Zapata”, Río Grande
Everyone discovered their style from the start, and this surprised me. The drawings generated above the mural were the beginning of an interesting discourse among all: each of us is a potential being. From the drawings, I was inspired by my pieces. My pieces articulate the symbolic importance of the image and its impact on the body. I made crosses to approach a faith that I don’t contain. I made animals to adapt to the environment. I made feminine and mortuary ways to represent knowledge.

Log-Piece

  • Sin Título (2016) Avión elaborado con vainas de flamboyán 67x 69x 7 cm

Sin Título (2016)
Avión elaborado con vainas de flamboyán
67x 69x 7 cm

Mexico

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My work as an illustrator does not have influences from academia. I learned some drawing techniques during my stay in San Francisco. However, my process as an illustrator has been building since I was 8 years old. From this age, the theme and vision of my drawings / illustrations is actually the same: the animality of being, the animal soul and death. Just few things have changed over the years: shapes and drawing techniques.
My parents supported me and never judged my way of drawing, this helped me a lot.
My vision towards death took interesting forms at my 18 years, when I developed a style that I called “closed mind”: This is to draw in present time, without the judging of mind in order to develop unexpected forms.
My development as a performer is due to several teachers who taught me different body expression technics in different institutes. My study as a performer continues and will continue in developed.
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November – December 2016

Images

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