Alvaro Ugarte

– Casa Wabi 2020

Community Project

Las Batallas Nocturnas – Niños y niñas de entre 6 y 12 años de edad.
Taking from the idea that basic education with subjects such as mathematics and Spanish are already covered. I am interested in working with another branch of learning and mental development; creativity and imagination. They also play a very important role in the development of any person and especially in children between 6 and 12 years old.
I would like to obtain brief written testimonies from boys and girls from the school located in the Maniantepec community, about a dream that they remember. Something very simple, where with a phrase or small text, tell me about your dream. I am going to translate each sentence into drawings that will later be part of a dream map that includes all these students’ thoughts. The map will be placed on the concrete of the main patio and will include, in addition to the elements of the children’s dreams, lines, circles and shapes that will function as elements to unite all these thoughts in a conceptual map that will incite the children to play and imagine their own games on their playground!
Each circle, square, line or drawing can be used as a pretext for the imagination. Join the lines, give the meanings of “islands” to the circles and walk over each element
The project aims to stimulate the creative and imaginative development of children in a playful, effortless way and through play. Something that is very little explored in basic education in Mexico but that is a fundamental part for the development of each child. Said game platform will also generate community among the students themselves, play teams will be formed and will incite thoughts outside of the typical school tasks. It is intended that the patio becomes a space free of thought where the rules do not exist.

Log-Piece

  • El sueño más bonito del mundo (2020) Madera quemada estilo Sugi Ban 71x 61 cm

El sueño más bonito del mundo
2020
Wood burnt in the Sugi Ban style
71x 61 cm

Mexico

Lives and works in Mexico City

Most of Ugarte´s artistic practice begins as a social experience by staging scenarios or situations to function as devices of engagement between members of a given community. Consequently, the material outcomes, which are often unpredictable due to the nature of the actions and its collective dimensions; may take the form of sculptures, installations, or any other documentary record.
Moreover, his background in Social Science Communication, has undoubtedly shaped his artistic practice by given him the tools in how Ugarte relates to art —from its social implications to the methodologies applied in his researches.
More recently, Ugarte has expanded his field of study on analyzing mental structures and social behaviors. Where, through seemingly absurd procedures such as the act of sleeping, tries to question how the mind function within specific social contexts._
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