Community Project
Mural Histórico – Primaria “Lázaro Cárdenas” de Río Grande.
In the first sessions, ideas about the history of Mexico and how they do not feel identified with the official history were discussed, since they feel it does not represent them. After a brainstorm, the elements that the students considered pertinent to appear on the mural were listed. In the following sessions, the British artist encouraged the participants to draw and paint a mural that spoke of their country. At the end of the mural, all participants signed their names. All the images poured in the final piece were selected by the students and reflect their the conception of the history of Mexico and the current conditions they live in.
In the first sessions, ideas about the history of Mexico and how they do not feel identified with the official history were discussed, since they feel it does not represent them. After a brainstorm, the elements that the students considered pertinent to appear on the mural were listed. In the following sessions, the British artist encouraged the participants to draw and paint a mural that spoke of their country. At the end of the mural, all participants signed their names. All the images poured in the final piece were selected by the students and reflect their the conception of the history of Mexico and the current conditions they live in.



United Kingdom
Bristol, 1960
Dexter Dalwood is a painter. His work collages visual imagery from politics, culture, personal memory and art history to create new, imagined spaces that explore how the traditional genre of History Painting may be re-interpreted in a relevant way today. Recent solo exhibitions include Ein Brief at Galerie Hubert Winter, Vienna, Austria (2017), Propaganda Painting at Simon Lee Gallery, Hong Kong (2016), London Paintings at Simon Lee Gallery, London (2014-15), Dexter Dalwood, a solo survey exhibition at Centre Pasqu’Art, Biel, Switzerland (2013), Orientalism at David Risley Gallery, Copenhagen (2012), Dichter und Drogen at Nolan Judin Gallery, Berlin (2011) and Dexter Dalwood at FRAC Champagne-Ardennes, CAC Malaga and Tate St Ives, for which he was nominated for the Turner Prize in 2010.






