Enzo Mianes

– casa wabi 2018

Community Project

Re reinterpretation of collective affection without oral – Niños de la Primaria José Vasconcelos, comunidad de Bajos de Chila
Laugh and music are universal languages. Under this premise, french artist Enzo Mianés developed a workshop titled “Re reinterpretation of collective affection without oral lenguaje,” where 20 students of 5th grade of the José Vasconcelos primary based in Bajos de Chila participated during 3 sessions.
The workshop’s goal was to create a free space to relate with the participants to let them have fun playing and creating together. Throughout the language limitations, Enzo managed to communicate with the kids through signs, noises, dancing, and exercises to show them laugh and music is universal
languages. Each sesión was unique and developed in the way ids wanted; if they wanted to run, everybody
ran, if they wanted to dance, everybody danced, if they wanted to play music, they found materials to make noises with and arranged an assemble.
In one of the sessions, they got together to create a composition in partners; they got together and picked up materials from the gardens of Casa Wabi, every student got together to make their creations freely until they felt satisfied with their results.
“The idea of the project was to have fun; we were not sitting around <> about something, if
you want to dance, just dance, if you want to play, let’s play, they are children so they have to play, they love
to play. Here there’s a structure in the communities, and all the time it’s square, maybe some do sports
or drawings, and it’s very cool, but all the time is square, and I learned that children don’t like square, they
don’t like rules, and me too.” Enzo Mianés.
“I learned to respect the opinion of my colleagues, that we are all important and that we can create music with anything.” Dulce Adalis Velasco Palacios (8 years old)

Log-Piece

  • Sin Título (2018) Placa de madera con vidrio molido 21 x 29 cm

  • Sin Título (2018) Candelabros de barro alto: 17 x 7.5d cm bajo: 14 x 7d cm

  • Sin Título (2018) Placa de barro con hendidura 10d cm

Sin Título (2018)
Placa de madera con vidrio molido
21 x 29 cm

Sin Título (2018)
Candelabros de barro
alto: 17 x 7.5d cm bajo: 14 x 7d cm

Sin Título (2018)
Placa de barro con hendidura
10d cm

France

lives and works in Paris, France

Enzo Mianes was born in 1988 in Toulouse, France. He currently lives and works in Paris, France.
Enzo Mianes’ work takes objects out of their original context, thereby qualifying them with a fetishist dimension. His research usually translates into a poetic narrative, often related to the issue of disappearance –of the beings, the shapes, or the matter itself.
Enzo Mianes evokes life through fragments of privacy and samples of a shared reality that take the shape of installations and sculptures. Each of his works is a remnant of an intimate and contemporary mythology.
He has participating in various exhibitions in venues such as: Musée Sainte-Croix, Poitiers, France (2015) ; Château de la Roche-Guyon, France (2014) ; Vortex, Dijon, France (2013) ; Palais de Tokyo, Paris, France (2012) ; the Project Room, Centre Pompidou-Metz, Metz, France (2011), Castello di Lajone, Italy (2017). Most recently he participated in the exhibition Crash Test: La révolution moléculaire, curated by Nicolas Bourriaud at La Panacée in Montpellier, France
He graduated from the École Nationale Supérieure des Beaux-Arts in Paris (2015).
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