Madeline Jiménez

– casa wabi 2018

Community Project

Creación de Avatar – Primaria Filomeno Mata, de Manialtepec.
The general objective of the project was to generate an interactive publication that combines exercises that activate critical thinking, develop respect and are framed in the theory of gender in infants. The final product of the workshop sessions is a booklet with a description of the activities developed , which promotes the creativity, critical thinking and equity of the workshop, this, so that it can be replicate in other communities. The project was developed in its entirety in Casa Wabi with children from the Filomeno Mata primary school in Manialtepec.
During the first session there was a warm-up and stretching exercise to relax the children, then they were taken to the multipurpose room to develop an activity called “Creation of Avatars”. In which the children helped themselves to draw the silhouette of the body of their companions to create their avatar. The purpose of this activity was to develop respect towards the body of the other and the identification of different corporalities. At the end of this activity a guided meditation session was held.

In the second session, warm-up exercises were carried out in the observatory of the house, silhouettes of avatars were cut out and exposed in the main palapa. Each child was given a “superpower” and a “value” with which they gave their avatar attributes, concepts such as equity, sorority, union, respect, equality, tolerance, among others. Each child explained the powers or abilities of his avatar, based on the concepts talked about, thus turning the civic principles into a “superpower”.

In the third session after the warm-up, the children were blindfolded and tasted different sweets, bittersweet, chocolates, bitter and spicy. The idea was that in the end each child would draw blindly the “flavor” that each food that he ingested produced him and that they would also represent that with a movement of the body. Afterwards the participants measured different parts of their body, to understand the different corporalities that each one has and with those measures they cut them out in colored strips, constellations and different figures were formed to create collective pieces that reflect the union of all the participants.

In the last session each participant was asked to bring their favorite garment and to explain why this garment was so special, many stories emerged that reflected their way of life and the family composition of each one. Octavio Avendaño was used as a model to wear these garments and to emphasize that clothing is for everyone and does not have a specific gender. In the end they were shown the film “Spirited Away” by Hayao Miyazaki.

Log-Piece

  • Sin Título (2018) Estructura de papel con ilustraciones sobre flotador.

Sin Título (2018)
Estructura de papel con ilustraciones sobre flotador.

Dominican Republic

lives and works in Mexico City

(Santo Domingo, Dominican Republic, 1986)
Her research develops in the possible relationships existing in the body / matter and geometry, rethinking the condition of the exotic, the strange and the migration, always approaching them from the understanding of her own body and in permanent dialogue with the space that surrounds her.
She studied at the National School of Fine Arts in 2002, Santo Domingo. From 2004-2006 she studied Fine Arts and Illustration at the Altos de Chavón Design School affiliated with Parsons School of Design, La Romana. In 2006 she moved to Mexico to finish the degree of Bachelor in the National School of Plastic Arts (UNAM) and from 2015-2016 she was part of the SOMA Educational Program.
In 2016, she started and carried out the collective project Semillero Caribe, an artistic and pedagogical experimentation using body and drawing to address notions of Caribbean authors.
She obtained the first place of Painting, 2003 in the National School of Fine Arts and The Bluhdorn Award 2005/06. During 2016 her work has been presented collectively at: the Biennial Kochi Muziris Biennale Collateral: OED Gallery, India; ESPAC, A network of intersecting lines in Mexico City; the National Biennial of Santo Domingo in 2013, as well as in the Alternative Spaces of Bikini Wax, Ladrón Galería , Cráter Invértido and Amor en la Ciudad de México , among others.
Her first individual project in an institutional way Arroz, que Carne hay. Creollizar la geometría, was presented during 2017 at La Casa del Lago Juan José Arreola under the curatorship of Víctor Palacios. She currently lives and works in Mexico City.
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