Luisa Mota

– Casa Wabi 2024

Community Project

These enigmatic characters, known as the Invisible Men or Crystal Beings, are brought to life by different individuals in a variety of contexts. The silver-mirrored Crystal Being embodies the essence of the soul, detached from identity and body, who roams the realms of the ethereal.
The Crystal Beings are paradoxical beings, silent yet noisy (due to their metallic sound), existing as elements that reflect their environment. These recurring characters have lived in a variety of contexts and exhibition molds, adapting easily to different social, cultural and urban fabrics. The fact that they are completely anonymous, due to their reflective clothing, completely eliminates any hint of the performer’s identity, creating ambivalence about their gender, age or ethnicity. At the level of the viewer, it creates inquisitive uncertainty and social discomfort, as normative parameters of identification are extinguished. For the performer, it creates an experience of introspection in a collective environment, generating feelings of detachment, satisfaction and curiosity.

Log-Piece

Crystal beings


Portugal

Porto, 1984

Luísa Mota (Porto, 1984) is a multidisciplinary currently living and working in Dubai. She graduated in Fine Art and Critical Studies from Goldsmiths College and holds a MA in Sculpture from the Royal College of Art, both in London. Her work spans different mediums, in particular performance, photography, sculpture and video. She addresses themes related to belief systems and cultural stigmas, in an analysis of human conditioning through energetic, psychological and behavioural content. Mota has developed a series of works and characters that inhabit her performances and site-specific projects. The Crystal Beings are her most iconic characters and are devoid of any indication of identity – leading to ambivalence about gender, age or ethnicity. These beings tend to represent many levels of social inquiry but currently occupy an existential space that is parallel to the physical – something invisible, intergalactic, ghostly. Luísa Mota’s work attempts to understand human drives and soul strategies of healing through the body, the object and the collective. She has been exhibiting her work since the late 2000’s, in group and solo exhibitions, collaborating with municipal institutions, museums, cultural and social associations, and in projects related to the performing arts. She is represented by Nuno Centeno Gallery.
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