Mexico
CDMX, 1983
Rosas Aleman’s staging involves narrative creation, some speculate about contemplative experiences and their repercussions in interpersonal relationships, and others address the possibility of artworks’ secret lives, as autonomous entities that do not depend on the spectator in order to keep active. The intentions and emotional motifs that exist in a substrate way in artworks, spectators, artists and others, have become as complex as participative fictions.