Balam Bartolomé

– Casa Wabi 2015

Community Project

Kuautli achtli- Comunidad de Río Grande. Escuela Bachilleres Emiliano Zapata
A group of students from the “Emiliano Zapata” High School in Rio Grande, Oaxaca, were invited to an introductory talk where the origin of the national shield, its historical background, and the value of its meaning were explained. Likewise, we talked about the importance of corn in our culture, its history and ritual significance, about what its consumption entails in daily life beyond the culinary. Each student was asked to make two clay tamales containing a One peso Mexican coin. Tamales were then wrapped in a corn husk. The final part of the action was the intake of real mole tamales, ending a collective ritual that included a new understanding of these two daily life objects.

Log-Piece

  • Lebon Sauvage (2015) Barro, USB, texto, foto caracol con moneda Medidas variables

  • Lebon Sauvage (2015) Barro, USB, texto, foto caracol con moneda Medidas variables

Lebon Sauvage (2015)
Barro, USB, texto, foto caracol con moneda
Medidas variables

México

Chiapas, 1975

Balam Bartolomé studied visual arts at the Escuela Nacional de Artes Plásticas, UNAM. Lives and works in Mexico City. His work develops through drawing, installation, video, sculpture, and written texts.
His work times to understand the relationship between an action, its reaction, and how the applied energy can turn situations or objects into mutant experiences, une the principle that dictates that energy is not created or destroyed, only transformed. He is interested in the confrontation between nature and culture and thus in the relationship between subjects, objects, and the space where they happen, to then displace and transform the formal and conceptual meaning of things.
Bartolomé has shown individually and collectively in non-profit spaces, galleries, and museums in Asia, Europe, South and North America. He earned a spot in Jóvenes Creadores (2004) and Programa de Residencias Artísticas (2009), both programs by Fondo Nacional para la Cultura y las Artes. He has been a resident in Arte Era, Uruguay (2007): International Studio & Curatorial Program, NY (2009); Nordisk Kunstnarsenter, Norway (2011) and the Bemis Center for Contemporary Arts, Nebraska (2014). His first book, “Batalla de Ciervos”, was published in Mexico in 2013 by Taller de Ediciones Económicas, with the support of Fundación Jumex.
Revés, an individual show in the Museo de Arte Carrillo Gil in Mexico City is amongst his latest projects.
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June 2015

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