Andrea Romero

– Casa Wabi 2019

Community Project

Prisma – Zapolito
My experience was different in the communities. I worked in Cacalotepec, it took me time to catch up and understand the problems that are experienced in that secondary school. Earning the trust of third-party students also took several sessions.

In the first session, we learned to make recycled paper and the second session, I showed them the the technique used to make amate paper, with banana leaf. After these sessions, it was easier to interact with those of the first year of high school, I think they understood the craft paper technique quite quickly and I felt the two groups excited about the technique of home screen printing.
I was thrilled to know that it was the first time that an artist worked in that secondary school and that in the future other projects could be carried out there since the trust was created with the director. In the autism center of Puerto Escondido and the session in conjunction with the mobile library in San Isidro was the most enriching, both for me and for them.
We managed to relate very well through a beautiful technique as paper, and I understood the importance of community projects, however simple they may be. It was very satisfying to work with moms and autistic children at the same time and see how working with their hands reinforces their relationship and their experience with the world. The sessions in these two communities, especially in San Isidro, were an explosion of energy and creativity. They wanted to learn something new and if they had more cloth they would have made paper for hours without stopping. The link we created was incredible, I was looking forward to returning.

Log-Piece

  • Sin Título (2019) 3 piezas enmarcadas

  • Sin Título (2019) 3 piezas enmarcadas

  • Sin Título (2019) 3 piezas enmarcadas

Sin Título (2019)
3 piezas enmarcadas

México

Lives and works in Mexico City

Studied Visual Arts at the Accademia di Belle Arti in Florence, Italy, and at the Kunsthoshschule Weißensee, Berlin, Germany. Her artistic work evolved from a merely abstract language to an abstraction of the landscape, which is materialized through painting, printmaking, drawing and recently photography.
She has done projects and courses in different graphic workshops. In 2017 she participated in a large-format engraving laboratory with Fritz Margull in the Bethanien workshops in Berlin. During the same year, she collaborated with the Italian art collective Fucine Arte Contaminazione in printmaking workshops with alternative media.
Romero Guerrero’s work has recently been shown at exhibitions in Germany and Mexico, including: VI Bienal Nacional de Artes Gráficas Shinzaburo Takeda, Registros (A) temporales (T.A.C.O. Gallery, Mexico City) Konjunktionen (aquabitArt Gallery, Berlin), Carborundum (BBK Berlin), Resaca Vintage (Centro Cultural Vasco, Mexico City), Retrospectiva de la tómbola (Museo de la Estampa, Toluca) Transformaciones (Embassy of Mexico in Berlin).
Complementary to his artistic work, Romero Guerrero during 2017 worked on the implementation of artistic projects with children and youth refugees from the war in the non-governmental organizations IsraAID and AIA (Art in Action) in Berlin.
Lives and works in Mexico City
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