Luis Úrculo

– casa wabi 2018

Community Project

La Historia Interminable – Primaria y Secundaria Rio Grande
The project’s objective was to work on ideas of cartography and perception of the participants’ environment from a personal point of view. As well as how the life stories of each one can make a space signify or acquire a greater meaning for that who inhabit it. The sessions were held in Casa Wabi, where the resident showed them a presentation of their work and images about maps and different cartography types. Participants were invited to draw a sketch or map of Rio Grande from memory to detect the spaces. What they remembered most from the following sessions; aluminum plates were distributed so that the boys and girls could tell a personal story about something that happened in Rio Grande and transform that story into an “Ex-Voto” or miracle that could be placed in situ so that anyone who passes in front of that image can know what happened there. A map with the location of all the Ex-Votes were made, and one was distributed to each participant.

Log-Piece

  • Sin Título (2018) FotografÍas impresas en papel cubiertas de pintura en aerosol

Sin Título (2018)
FotografÍas impresas en papel cubiertas de pintura en aerosol

Spain

Madrid and Mexico City

Lives and works in Madrid and in Mexico City
Bachelor in ETSAM (2006) and a scholarship at the Illinois Institute of Technology and the Institute of Design, Chicago.
His artistic practice takes as a starting point fiction in architecture, as a language space for the construction of documents, narratives and interpretations of the domestic.
In the development and process of projects, anthropology, archeology and criminology, are fundamental sources for the creation of research lines under the idea of the reconstruction of timelines, ambiguous materialities, inaccuracy or intuition in the description of reality.
Training as an architect has created a great influence in the research and development of his practice. Interested in everything peripheral to its discipline, it applies to projects and external proposals that can be manipulated, sampled or translated to other scales.
His work has been exhibited at The Metropolitan Museum of Art (New York), MAXXI (Rome), Tokyo Wonder Site (Tokyo), MAC Quinta Normal (Santiago, Chile), Art Institute (Chicago), Matadero (Madrid), La Casa Encendida (Madrid), Centro Pecci (Prato), Centro de Arte Tabacalera (Madrid), XI Biennial di Venezia, Centro Cultural Estación Mapocho (Chile), Parque Cultural (Valparaiso, Chile), Transculturelles des Abattoirs (Casablanca), National Glyptoteque ( Athens), Bienal Iberoamericana de Medellin, Arredondo / Arozarena (Mexico), Max Estrella (Madrid), Gray Noise (Dubai), Espai Tactel (Valencia).
He has been invited as professor and lecturer at Geneve (HEAD), Columbia University (New York), Danish Center for Architecture (Copenhagen), INDA Chulalongkorn University (Bangkok), Vitra Design Museum, Kent State University (Florence), Graham Foundation (Chicago) ), LIGA (Mexico City), Universidad de Talca (Chile), Tokyo Wonder Site (Tokyo), Universidad Anahuac (Mexico), Istambul Design Biennial, Buenos Aires, Grenoble, Barcelona, Madrid & Alicante.
Since 2010 he is co-director and curator of the Livingroom Festival with Maria Jerez, Juan Dominguez and Cuqui Jerez.
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