Mundo Entre Manos
Margot created a series of pieces that are designed to support the sensory stimulation of children who attend the Autism Center of the Puerto Escondido community. The pieces are activated by movement and can be manipulated by children or with the help of the institution’s staff. The axis of this series of pieces is visual stimulation and different effects are generated with them, thanks to LED lights, different densities of liquids or the accelerated movement of still images to create the illusion of animation.
The objects were created in coordination with the staff of the Autism Center, who advised the resident on the type of stimulation that is ideal for the children who gather here.
Log-Piece
Cámara de Eco (2021)
Impresión sobre gelatina de plata, fibra de nopal, resina, aerosol, marcos, bisagras e imanes
98 x 71 (dependiendo del montaje)
Cámara de Eco (2021)
Impresión sobre gelatina de plata, fibra de nopal, resina, aerosol, marcos, bisagras e imanes
98 x 71 (dependiendo del montaje)
Cámara de Eco (2021)
Impresión sobre gelatina de plata, fibra de nopal, resina, aerosol, marcos, bisagras e imanes
98 x 71 (dependiendo del montaje)
Cámara de Eco (2021)
Impresión sobre gelatina de plata, fibra de nopal, resina, aerosol, marcos, bisagras e imanes
98 x 71 (dependiendo del montaje)
México
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Margot Kalach (Mexico City, 1992) graduated from Bard College (2016). Margot works with photography and video, always considering light as both raw material and protagonist. She conceives light as (1) a single substance of fundamental particles (photons), which contain an (2) inherent duality (wave and particle) and a (\*) plurality of visual information (of a proteic or mutant nature). Her projects revolve around this idea of generating the whole from the one, focusing on scientific territories that reflect on simple blocks of matter from which complex structures emerge. Currently, she is developing a camera-less photographic language using a homemade machine that projects light onto photosensitive paper, creating complex structures from simple movements. She draws on the language of geometry and abstraction from an interest in encompassing forms, patterns, archetypes, or networks that repeat and extend across different fields of knowledge.