Community Project
The project consisted of creating a space for socializing and recreation at COBAO 40 “Bajos de Chila” based on proposals from students and teachers. Using low-cost local materials and redesigning as they went along, they managed to build a small plaza with wooden furniture that revitalized an underused recreational area, making the most of and beautifying the space for the benefit of the entire school community.






Mexico
Mexico City, 1953
She studied Graphic Design at the Escuela Nacional de Artes Plásticas of the National Autonomous University of Mexico (UNAM). In 1977, she moved to London to earn a diploma in Textiles from Goldsmiths College, and in 1992, she returned to the city to pursue a Master’s degree in Fine Arts at Chelsea College of Arts.
Her work has been exhibited both in Mexico and abroad in solo and group exhibitions, including: Un lugar después de otro (Gal E Ciento Veinte, Madrid, 2024); Nonsite: El Pedregal revisitado (MUCA UNAM, Mexico City, 2022); Small Landscapes from Near and Far (The Chimney, New York, USA, 2019); Pavimentos (Arroniz Gallery, Mexico City, April 2019); Tú de mí y yo de ti (Museum of Mexico City, 2019); Sparsa Colligo (Lelaboratoire, Mexico City, 2019); A Dark and Scandalous Rockfall, Barbara Liotta and Perla Krauze (Mexican Cultural Institute, Washington, D.C., USA, January 2018); Materia Lítica: Memoria/Procesos/Acumulaciones (Museo Amparo, Puebla, 2017); Archipiélagos (Quetzalli Gallery, Oaxaca, 2016); Dualidades (GAALS, Culiacán, 2014); Estructuras/Materiales/Espacio (Diagrama, Mexico City, 2014); Suspended Blues (Sonja Roesch Gallery, Houston, 2013); Structure/Imprints (Howard Scott Gallery, New York, 2013); Pino Suarez 3, Memoria y Recorridos (Museum of Mexico City, 2012); Huellas y Trayectos (retrospective, Museum of Modern Art, Mexico City, 2010); José Alvarado 24 A / Guerrero 27 Nte. (Museum of the City of Querétaro, 2010); Imprints (Gebert Contemporary, Santa Fe, 2010); Huellas de la Santa Veracruz (National Museum of Printmaking, Mexico City, 2007); Orígenes (MACO, Mexico City, 1997); and Amarres de Luz y Silencio (Museo de Arte Carrillo Gil, Mexico City, 1995).
She has received several distinctions from institutions such as UNAM and the British Council, and has participated in numerous artist residency programs, including Red Gate Gallery (China), Echigo-Tsumari Triennale (Japan), Banff Centre for the Arts (Canada), MacDowell Colony, Santa Fe Art Institute, and Djerassi Resident Artists Program (United States).
Her work has been exhibited both in Mexico and abroad in solo and group exhibitions, including: Un lugar después de otro (Gal E Ciento Veinte, Madrid, 2024); Nonsite: El Pedregal revisitado (MUCA UNAM, Mexico City, 2022); Small Landscapes from Near and Far (The Chimney, New York, USA, 2019); Pavimentos (Arroniz Gallery, Mexico City, April 2019); Tú de mí y yo de ti (Museum of Mexico City, 2019); Sparsa Colligo (Lelaboratoire, Mexico City, 2019); A Dark and Scandalous Rockfall, Barbara Liotta and Perla Krauze (Mexican Cultural Institute, Washington, D.C., USA, January 2018); Materia Lítica: Memoria/Procesos/Acumulaciones (Museo Amparo, Puebla, 2017); Archipiélagos (Quetzalli Gallery, Oaxaca, 2016); Dualidades (GAALS, Culiacán, 2014); Estructuras/Materiales/Espacio (Diagrama, Mexico City, 2014); Suspended Blues (Sonja Roesch Gallery, Houston, 2013); Structure/Imprints (Howard Scott Gallery, New York, 2013); Pino Suarez 3, Memoria y Recorridos (Museum of Mexico City, 2012); Huellas y Trayectos (retrospective, Museum of Modern Art, Mexico City, 2010); José Alvarado 24 A / Guerrero 27 Nte. (Museum of the City of Querétaro, 2010); Imprints (Gebert Contemporary, Santa Fe, 2010); Huellas de la Santa Veracruz (National Museum of Printmaking, Mexico City, 2007); Orígenes (MACO, Mexico City, 1997); and Amarres de Luz y Silencio (Museo de Arte Carrillo Gil, Mexico City, 1995).
She has received several distinctions from institutions such as UNAM and the British Council, and has participated in numerous artist residency programs, including Red Gate Gallery (China), Echigo-Tsumari Triennale (Japan), Banff Centre for the Arts (Canada), MacDowell Colony, Santa Fe Art Institute, and Djerassi Resident Artists Program (United States).








